Ideas/Essays
“Izumi Kato’s Virtual Shadow” Mar 19, 2024
Interviews
“Encountering the Same Line Twice: Interview with Hung Fai and Wai Pong-yu” Mar 8, 2024
“Cosmos Cinema: Anton Vidokle on the 14th Shanghai Biennale” Dec 21, 2023
Reports
“Navigating the Intercontinental Straits: Art SG and SEA Focus” Jan 24, 2024
“Remapping the Fair: Art Jakarta 2023” Nov 23, 2023
“Shanghai Comeback: Highlights from West Bund Art & Design and Art021” Nov 15, 2023
“Still Cold Out There: Digital Art Fair Asia 2023“ OCt 27, 2023
“Hitting the Correction Point at Hong Kong’s October 2023 Auctions” OCt 12, 2023
Reviews
“The Jarring Discord of ‘Voice Against Reason’” Feb 29, 2024
“14th Shanghai Biennale, ‘Cosmos Cinema’” Feb 7, 2024
“Confronting Divergent Realities at the Sigg Prize 2023” Nov 10, 2023
“Yeung Tong Lung & Sze Yuen’s “‘Solo · Exhibition · Twice II: Of Seeing’” Oct 4, 2023
“Performance Recap: Melati Suryodarmo’s UNPACKED NO. 1: Love” Sep 18, 2023
“‘Welcome >_< Take a Seat Wherever (cringevibing on a downward spiral)’” Sep 7, 2023
News
“M+ Names New Senior Curator and Head of Curatorial Affairs” Feb 27, 2024
“Art Basel Hong Kong Prepares for Its Mega Return” Feb 9, 2024
“M+ Sigg Prize 2023 Goes to Wang Tuo” Jan 4, 2024
“Museum MACAN Director Aaron Seeto Departs” Dec 21, 2023
“West Bund x Pompidou Collaboration Extended by Five Years“ Nov 27, 2023
“Total Return: Art Basel Hong Kong Releases Exhibitor List for 2024“ Nov 21, 2023
“AFIELD 2023 Fellows Announced“ Nov 14, 2023
“Sotheby’s Announces New Seoul Space” Sep 6, 2023
“Tadaaki Kuwayama, 1932–2023” Aug 29, 2023
“West Kowloon Cultural District Confronts 2025 Budget Depletion“ Aug 23, 2023