Sonic Grey


Grey Day - New Balance x openground


(2021)



Charlene Man (Illustration Artist)
Dimension Plus (New Media Arts)

House Music Curation
“Grey Day x Chi Chung’s Playlist”
Dr. WONG Chi Chung (DJ, music critics, music curator, music culture educator)

Key Visual Concept and Graphic Design
Milkxhake | Javin Mo, Chan Wai Hon

Dynamic Visual
Dimension Plus

Organizer
New Balance

展覽
日期:2021年05月01日 - 05月16日 (星期一定休)
地點:openground (九龍深水埗大南街198號地下)


概念與策展
openground | Keith Lam, Javin Mo  

參展藝術家
Alexmalism (聲音藝術家)
Charlene Man (藝術插畫家)
Dimension Plus | Keith Lam, Seth Hon (新媒體藝術團隊)

現場音樂選曲
“ Grey Day x Chi Chung’s Playlist “
黃志淙博士 ( DJ 、樂評人、音樂策展人、音樂文化教學者)

主視覺概念及平面設計
Milkxhake | Javin Mo, Chan Wai Hon

動態視覺
Dimension Plus

主辦單位
New Balance

詩風電浪:詩 X 電音 X 影像 (2021)

罪河/李嘉儀 X 姚少龍 X CRYSTAL BUG


詩:罪河/聲音:姚少龍/影像:Crystal Bug   請載上耳機欣賞 🎧

罪河
像已很久沒有聽見水流的聲音
在你臉上,一條古老的
河川突然冒出
流瀉,且拒絕我——

我看著河川流經你溫暖的頭顱
穿過你濡濕的眼睛
甚至聽見鳥
沿著你的髮端唱起頌歌
連同鮮活的咒詛
也在霧中掠過。我默默
與那雙眼睛對峙,別無所見

一轉身,卻走進那扇
長在你臉上被河川圍繞的木門
木門帶鎖,匙孔長得恰巧
就是我罪孽的形狀。每當門開
我就看見一輩子刮過的痧
都在空中飛舞,所有發出過的尖叫
都長得轟烈熱鬧,邊緣泛金
就像要我說:神在,就有神在
門開,就要憶及罪孽

因我知道祢存活於空氣深處
在火與水之間盤腿而坐
沉默震怒。即使我已經闖過所有
的禍了。祢仍依舊閃爍,直率
字跡潦草,喜歡領棕櫚枝散步
適合被火包圍,不適合害羞

是以我宣判祢為一個不協調音
一個高智能的縱火犯:要賦予我
又剝奪我,不相信我
卻命定我:僅僅以一個手勢
來缺陷生

當你的臉孔被水流縈繞,長成綠州
我就退化成蛇,僅蜷縮於
冷洌河川,只懂遙望鳥翼承認我也
曾奢望迎向美迎向光明,迎向愛迎向天空
要望那羽毛的微冷,拂過雲端
像一面臨風的旗幟
擺動如綿絮

可是,眾天使:我是印記
我甚或是一個疑惑者,是你
行星的棄子,沒辦法
一邊擺動尾鰭,一邊又在星際間
拖拉出一整串純淨發亮的善良
器官,在寂靜的操場裡
不辨方向,看風箏滑落

當流在你臉上的河川輕巧地
竄進我眼底,早已降落眼窩的石頭
只懂拴緊眼睛,不去咆哮
就像你要神在,就有神在
我一眨眼,就有石響

引路的人,請告知我出發的方向
「我可以將一切都償還給祢
身體,愛,靈魂,感覺,大海
那盛極一時的陽光……」
只要祢告訴我,每當天空晃動時
那道流經我眼瞼的罪河
將怎樣變成櫻桃酒
又怎樣貪婪地
在祢唇邊,折射有光




各各他山/曾淦賢 X 姚少龍 X CRYSTAL BUG


詩:曾淦賢/聲音:姚少龍/影像:Crystal Bug

各各他山
把我的屍體帶到各各他山
世人以石雕為聖
我便能親近妳
在礫沙之地拖曳
在從未懂過的苦病中
換上一張眾人喜歡的假面
救世者,我不願承認審判的結果
致使我在陰間重複愛妳

我在蹣跚的腳步中來到市場
販子叫賣
高舉我的頭顱
妳砍下的那一顆鏽鐵
脖子還有繩索緊縛的印
那些戲子看見,吹奏號角
僕人們敬拜恐懼與時間

把我的屍體帶到各各他山
在洞穴躺著,那麼多的陽光
堵住洞口的石頭
黑夜朦朧的邊界,與妳的唇
發音一樣
禮拜堂的歌者與詛咒的詞語
旋律一樣
愛情與遺忘一樣生硬的一種信仰
沒有可能復活的血肉
妳在我死後,沒有為我裹布

你們將會為我翻身,檢視櫻桃紅色的肌膚
時刻來臨,面見命運的陰影
那是無人遊蕩的曠野
妳再割下我的手掌吧
它也許會摸妳腦後的髮腳
也許還會,愛妳
為妳鋸木鑿花
讓那些守在渡頭接送的船伕們
握緊木槳,一無所有


Practical Vocation
with
Francesco Moraca and Serenella Martufi
sound
Alex Yiu

Materials

Giorgio Agamben's Homo Sacer

A journey together in Eritrea, where the Medeber is a reality and where this piece really started.

An encounter with Raimund Hoghe's work.


Practical Vocation from Medeber Teatro on Vimeo.



Creation Process - April - July 2015 in London
Presented live - July 2015 at The Old Laban Centre, London
Filmed by Rabbit's Island in November 2015

Synopsis
A body alone on stage uses 4 industrial plumbing pipes to create, inhabit and transform an architectural space that evokes ideas of home and boundary. Geometry and chaos are placed aside each other to experience how debris can become opportunities for new beginnings. The body travels through images and music that make it at first a resilient worker, then a boisterous child and finally a super-hero clad in shiny emergency blankets.

From a distance a voice opens a dialogue with the moving figure, spelling out poetical verses. These words speak of the physics of the body, of the fibre and the dynamics that make it a machine. The amplified voice seeks a passage to the body, to become one thing with it in the very moment when this collapses to the floor. A fall this last one that does not resemble to an end, but rather to the transformation of matter that moves the whole wide world.

© 2016 MEDEBERTEATRO
https://www.medeberteatro.org/

Violent intoxication (2012) from Alex Yiu on Vimeo.



Director: Dave Choi
Music: Alex Yiu




"As a single footstep will not make a path on the earth, so a single thought will not make a pathway in the mind. To make a deep physical path, we walk again and again. To make a deep mental path, we must think over and over the kind of thoughts we wish to dominate our lives. " - Henry David Thoreau

"Here and There", is a part of the dance theatre "Self.Explore" choreographed by Mary Jane Tang. The dance were performed by Katie Yau and accompanied by the video by LeeCat Ho. The performance was held at CCDC Dance Centre Jockey Club Dance Theatre on 8th to 9th September, 2012.