Alexmalism - 單曲《海》
作曲、歌詞、編曲、混音、監 製:Alex Yiu@MMSP
Ocean (海) (2022)
Ocean (2022) is a song that utilizes the framework of ecological collapse and apocalypticism as a metaphor for fleeting digital and romantic memory. Moving away from aggressive club aesthetics, the track embraces the slow, atmospheric pacing of 90s trip-hop. Against a backdrop of sluggish, syncopated beats and intertwining string arrangements, Yiu’s vocals reflect on a singular nocturnal encounter by the sea, reframing a brief moment of connection against the vast indifference of cosmic forces.
The lyrics invoke imagery of falling meteorites, radioactive rain, and barren wastelands to equate the termination of a relationship with the destruction of a world. By intertwining the biological language of genetics with the digital language of "deleting files," the work suggests that both human intimacy and the natural environment are subject to predetermined expiration. Ultimately, Ocean serves as a sonic memorial—a lament for an irretrievable past suspended in an atmosphere of inevitable decay.
《海》(2022)
《海》(2022)是一部以生態崩壞與末日論(apocalypticism)為隱喻的歌曲,旨在探討稍縱即逝的浪漫記憶與數碼痕跡。有別於激烈的俱樂部聲響,本作回歸了 90 年代 Trip-hop 緩慢而充滿氛圍感的節奏。在慵懶的碎拍與交錯的弦樂聲中,姚氏的歌聲訴說著一個夜觀星海的短暫相遇,將微小的情感連結置於宇宙洪荒的冷漠之中。
歌詞藉由隕石墜落、受污染的空氣與廢土等末日意象,將一段關係的終結等同於一個世界的毀滅。透過將「基因宿命」的生物學語言與「刪改檔案」的數碼語言交織在一起,作品暗示了人類的親密關係與自然環境一樣,皆受制於某種必然的消亡。歸根究底,《海》是一座以聲響築成的紀念碑——在不可逆轉的衰敗氛圍中,為一去不返的舊時代唱頌的一曲輓歌。
作曲、歌詞、編曲、混音、監 製:Alex Yiu@MMSP
Ocean (海) (2022)
Ocean (2022) is a song that utilizes the framework of ecological collapse and apocalypticism as a metaphor for fleeting digital and romantic memory. Moving away from aggressive club aesthetics, the track embraces the slow, atmospheric pacing of 90s trip-hop. Against a backdrop of sluggish, syncopated beats and intertwining string arrangements, Yiu’s vocals reflect on a singular nocturnal encounter by the sea, reframing a brief moment of connection against the vast indifference of cosmic forces.
The lyrics invoke imagery of falling meteorites, radioactive rain, and barren wastelands to equate the termination of a relationship with the destruction of a world. By intertwining the biological language of genetics with the digital language of "deleting files," the work suggests that both human intimacy and the natural environment are subject to predetermined expiration. Ultimately, Ocean serves as a sonic memorial—a lament for an irretrievable past suspended in an atmosphere of inevitable decay.
《海》(2022)
《海》(2022)是一部以生態崩壞與末日論(apocalypticism)為隱喻的歌曲,旨在探討稍縱即逝的浪漫記憶與數碼痕跡。有別於激烈的俱樂部聲響,本作回歸了 90 年代 Trip-hop 緩慢而充滿氛圍感的節奏。在慵懶的碎拍與交錯的弦樂聲中,姚氏的歌聲訴說著一個夜觀星海的短暫相遇,將微小的情感連結置於宇宙洪荒的冷漠之中。
歌詞藉由隕石墜落、受污染的空氣與廢土等末日意象,將一段關係的終結等同於一個世界的毀滅。透過將「基因宿命」的生物學語言與「刪改檔案」的數碼語言交織在一起,作品暗示了人類的親密關係與自然環境一樣,皆受制於某種必然的消亡。歸根究底,《海》是一座以聲響築成的紀念碑——在不可逆轉的衰敗氛圍中,為一去不返的舊時代唱頌的一曲輓歌。
《海》歌詞
是你吧 在落葉的季度
讓我 迷失得顛倒
那檔案 訴說你我一切
句句都要是結局提早
沒有吧 段落大可刪改
宇宙 怎可主宰
這基因 不過是種宿命
隕石墜下 在摧毁舊城
*
誰在哪夜 聽海浪
浪泊邊緣 天仰望
望見遠雲 星震盪
是我心頭 星閃發光
時光 一去不復返
*
是你吧 是你吧
別仰望 末日後的國度
是你 藏於海邊廢土
那空氣 進佔每次呼吸
化作 污染物眼淚微泣
下雨吧 落下另一山坡
但已沒 種子可結果
這星體 不過是一種運
宇宙萬物 並不會在乎
*
是你吧 是我吧