https://alexyiu.com ALEXMALISM Fri, 21 Apr 2023 12:17:38 +0000 https://alexyiu.com en https://alexyiu.com/Index Fri, 21 Apr 2023 12:17:38 +0000 ALEXMALISM https://alexyiu.com/Index https://alexyiu.com/PS-Paid-Studio-Visits-Alexmalism-AKA-Alex-Yiu-2020 Thu, 22 Jul 2021 20:48:25 +0000 ALEXMALISM https://alexyiu.com/PS-Paid-Studio-Visits-Alexmalism-AKA-Alex-Yiu-2020 Wed 15 Jul, 9PM HKTIn EnglishHosted by Rafi Abdullah and Joseph Chen King Yuen, participants in the Workshops for Emerging Arts Professionals 2020 Poor Imagination (2019) at Sullivan+Strumpf, and&nbsp;continues&nbsp;to&nbsp;live&nbsp;and&nbsp;work&nbsp;in&nbsp;Singapore. Joseph Chen King&nbsp;Yuen&nbsp;is&nbsp;an&nbsp;artist&nbsp;and&nbsp;curator&nbsp;based&nbsp;in&nbsp;Hong&nbsp;Kong,&nbsp;and&nbsp;currently&nbsp;the&nbsp;Senior&nbsp;Project&nbsp;Coordinator&nbsp;of&nbsp;Videotage.&nbsp;During&nbsp;his&nbsp;incumbency&nbsp;at&nbsp;Videotage&nbsp;he&nbsp;curated&nbsp;.gif&nbsp;Festival:&nbsp;Left&nbsp;Right&nbsp;Right&nbsp;Left&nbsp;Movement,&nbsp;a&nbsp;moving&nbsp;images&nbsp;project&nbsp;experimenting&nbsp;generative&nbsp;interactions&nbsp;as&nbsp;the&nbsp;curatorial&nbsp;framework,&nbsp;and&nbsp;other&nbsp;curatorial&nbsp;projects&nbsp;collaborated&nbsp;with&nbsp;Eaton&nbsp;HK,&nbsp;Hong&nbsp;Kong&nbsp;Design&nbsp;Institute&nbsp;and&nbsp;GoetheInstitut&nbsp;Hongkong.&nbsp;His&nbsp;artworks&nbsp;have&nbsp;been&nbsp;shown&nbsp;in&nbsp;Manchester,&nbsp;Shanghai,&nbsp;Kuala&nbsp;Lumpur,&nbsp;Tokyo&nbsp;and&nbsp;beyond.&nbsp;He&nbsp;is&nbsp;a&nbsp;member&nbsp;of&nbsp;a&nbsp;Hong&nbsp;Kong&nbsp;video&nbsp;art&nbsp;project,&nbsp;Video&nbsp;Cypher.&nbsp;He&nbsp;recently&nbsp;received&nbsp;the&nbsp;Media&nbsp;Arts&nbsp;Emerging&nbsp;Artist&nbsp;Scheme&nbsp;of&nbsp;Project&nbsp;Grant&nbsp;from&nbsp;Hong&nbsp;Kong&nbsp;Arts&nbsp;Development&nbsp;Council. https://alexyiu.com/X-X-2021 Thu, 22 Jul 2021 20:53:34 +0000 ALEXMALISM https://alexyiu.com/X-X-2021 詩風電浪：詩 X 電音 X 影像 (2021)<img width="300" height="300" width_o="300" height_o="300" data-src="https://freight.cargo.site/t/original/i/8c104129e1826c6d234dc414875dc1a25fa052295d168c62e5dccae4ee1978f5/-300x300.png" data-mid="133559475" border="0" src="https://freight.cargo.site/w/300/i/8c104129e1826c6d234dc414875dc1a25fa052295d168c62e5dccae4ee1978f5/-300x300.png" /> 罪河／李嘉儀 X 姚少龍 X CRYSTAL BUG 詩：罪河／聲音：姚少龍／影像：Crystal Bug　　　請載上耳機欣賞 🎧 罪河 像已很久沒有聽見水流的聲音 在你臉上，一條古老的 河川突然冒出 流瀉，且拒絕我—— 我看著河川流經你溫暖的頭顱 穿過你濡濕的眼睛 甚至聽見鳥 沿著你的髮端唱起頌歌 連同鮮活的咒詛 也在霧中掠過。我默默 與那雙眼睛對峙，別無所見 一轉身，卻走進那扇 長在你臉上被河川圍繞的木門 木門帶鎖，匙孔長得恰巧 就是我罪孽的形狀。每當門開 我就看見一輩子刮過的痧 都在空中飛舞，所有發出過的尖叫 都長得轟烈熱鬧，邊緣泛金 就像要我說：神在，就有神在 門開，就要憶及罪孽 因我知道祢存活於空氣深處 在火與水之間盤腿而坐 沉默震怒。即使我已經闖過所有 的禍了。祢仍依舊閃爍，直率 字跡潦草，喜歡領棕櫚枝散步 適合被火包圍，不適合害羞 是以我宣判祢為一個不協調音 一個高智能的縱火犯：要賦予我 又剝奪我，不相信我 卻命定我：僅僅以一個手勢 來缺陷生 當你的臉孔被水流縈繞，長成綠州 我就退化成蛇，僅蜷縮於 冷洌河川，只懂遙望鳥翼承認我也 曾奢望迎向美迎向光明，迎向愛迎向天空 要望那羽毛的微冷，拂過雲端 像一面臨風的旗幟 擺動如綿絮 可是，眾天使：我是印記 我甚或是一個疑惑者，是你 行星的棄子，沒辦法 一邊擺動尾鰭，一邊又在星際間 拖拉出一整串純淨發亮的善良 器官，在寂靜的操場裡 不辨方向，看風箏滑落 當流在你臉上的河川輕巧地 竄進我眼底，早已降落眼窩的石頭 只懂拴緊眼睛，不去咆哮 就像你要神在，就有神在 我一眨眼，就有石響 引路的人，請告知我出發的方向 「我可以將一切都償還給祢 身體，愛，靈魂，感覺，大海 那盛極一時的陽光……」 只要祢告訴我，每當天空晃動時 那道流經我眼瞼的罪河 將怎樣變成櫻桃酒 又怎樣貪婪地 在祢唇邊，折射有光 <img width="300" height="300" width_o="300" height_o="300" data-src="https://freight.cargo.site/t/original/i/d42c8e19cce7b694600e4e624d24216ca02a0d3015161f0a9e7bbefb52e56ed2/-1-300x300.png" data-mid="133559781" border="0" src="https://freight.cargo.site/w/300/i/d42c8e19cce7b694600e4e624d24216ca02a0d3015161f0a9e7bbefb52e56ed2/-1-300x300.png" /> 各各他山／曾淦賢 X 姚少龍 X CRYSTAL BUG詩：曾淦賢／聲音：姚少龍／影像：Crystal Bug 各各他山 把我的屍體帶到各各他山 世人以石雕為聖 我便能親近妳 在礫沙之地拖曳 在從未懂過的苦病中 換上一張眾人喜歡的假面 救世者，我不願承認審判的結果 致使我在陰間重複愛妳 我在蹣跚的腳步中來到市場 販子叫賣 高舉我的頭顱 妳砍下的那一顆鏽鐵 脖子還有繩索緊縛的印 那些戲子看見，吹奏號角 僕人們敬拜恐懼與時間 把我的屍體帶到各各他山 在洞穴躺著，那麼多的陽光 堵住洞口的石頭 黑夜朦朧的邊界，與妳的唇 發音一樣 禮拜堂的歌者與詛咒的詞語 旋律一樣 愛情與遺忘一樣生硬的一種信仰 沒有可能復活的血肉 妳在我死後，沒有為我裹布 你們將會為我翻身，檢視櫻桃紅色的肌膚 時刻來臨，面見命運的陰影 那是無人遊蕩的曠野 妳再割下我的手掌吧 它也許會摸妳腦後的髮腳 也許還會，愛妳 為妳鋸木鑿花 讓那些守在渡頭接送的船伕們 握緊木槳，一無所有 https://alexyiu.com/Sonic-Grey-2021 Tue, 15 Feb 2022 14:33:14 +0000 ALEXMALISM https://alexyiu.com/Sonic-Grey-2021 Sonic GreyGrey Day - New Balance x openground (2021) Charlene Man (Illustration Artist) Dimension Plus (New Media Arts)House Music Curation“Grey Day x Chi Chung’s Playlist”Dr. WONG Chi Chung (DJ, music critics, music curator, music culture educator) Key Visual Concept and Graphic Design Milkxhake | Javin Mo, Chan Wai HonDynamic VisualDimension PlusOrganizerNew Balance展覽日期：2021年05月01日 - 05月16日 (星期一定休)地點：openground (九龍深水埗大南街198號地下)概念與策展 openground | Keith Lam, Javin Mo &nbsp;參展藝術家 Alexmalism (聲音藝術家)Charlene Man (藝術插畫家）Dimension Plus | Keith Lam, Seth Hon （新媒體藝術團隊）現場音樂選曲 “ Grey Day x Chi Chung’s Playlist “黃志淙博士 ( DJ 、樂評人、音樂策展人、音樂文化教學者)主視覺概念及平面設計Milkxhake | Javin Mo, Chan Wai Hon動態視覺Dimension Plus主辦單位 New Balance https://alexyiu.com/I-have-done-it-again-2020 Thu, 14 Jan 2021 07:21:21 +0000 ALEXMALISM https://alexyiu.com/I-have-done-it-again-2020 I have done it again (after Lady Lazarus) (2020) The American poet Sylvia Plath composed her well-known poem Lady Lazarus in the autumn of 1962, a few months before her suicide on 11 February 1963. Lady Lazarus and other poems of that period were collected and published in Ariel, one of her most famous posthumous poetry collections. The title of my work, 'I Have Done It Again,' is the very first line of Lady Lazarus. In this work, I am inspired by the imagery of this poem: the antagonistic attitude, the depressed inner self, the obsession with death, and the rebirth from ashes. I attempted to rebuild and reinterpret this imagery by incorporating the vocal technique of extreme metal music, without quoting the original poems. 美國詩人 Sylvia Plath 於 1962 年秋天寫下其著名詩作《Lady Lazarus》，數月後的 1963 年 2 月 11 日，她便自盡身亡。《Lady Lazarus》連同該時期的其他詩作，其後被輯錄於她死後出版、亦是最廣為人知的詩集《Ariel》之中。我這部作品的標題「I Have Done It Again」，正是取自《Lady Lazarus》的第一句詩。 在本作中，我深受這首詩的意象所啟發：那種對抗的姿態、抑鬱的內在自我、對死亡的執迷，以及從灰燼中的重生。我試圖重構並重新詮釋這些意象，透過融入極端金屬音樂（extreme metal music）的發聲技巧，而非直接引用原詩句，來演繹這份張力。 <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/34d6b3985cfbfad4be48c21f985cfe8532483f1fd803a611b9a6ae6be93bf7e7/vlcsnap-2021-01-14-15h19m43s978.png" data-mid="95037426" border="0" src="https://freight.cargo.site/w/1000/i/34d6b3985cfbfad4be48c21f985cfe8532483f1fd803a611b9a6ae6be93bf7e7/vlcsnap-2021-01-14-15h19m43s978.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/e8039d15dee709dd884bc7167bf0839393bf025dc239fc0f66272df7835fd25d/vlcsnap-2021-01-14-15h19m27s196.png" data-mid="95037425" border="0" src="https://freight.cargo.site/w/1000/i/e8039d15dee709dd884bc7167bf0839393bf025dc239fc0f66272df7835fd25d/vlcsnap-2021-01-14-15h19m27s196.png" /><img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/bf981c062329cf4d25913eafd53b2ade51598631a39b3dc82b00b60717f841c7/vlcsnap-2021-01-14-15h18m40s033.png" data-mid="95037424" border="0" src="https://freight.cargo.site/w/1000/i/bf981c062329cf4d25913eafd53b2ade51598631a39b3dc82b00b60717f841c7/vlcsnap-2021-01-14-15h18m40s033.png" /> 1 2 3 4 5 6 7 8 9 10 the army comes back and forth searching for the smell the smell of the dust comes with the fiery ashes Unveil the mask Alas thy faces Do you tremble? Blood sheds on the land of white flower and I a man of nothing same as Sylvia to measure the hight of grief All numbers are the same with the slander of thy name Wrap me up from my head to my feet All I want is piles of meat Grinding is a sin, like nothing else. They do it exceptionally well. They do it so we feel like hell. They do it so we feel real. They guess we could tell we are meant to be The juice of the man So did Sylvia said, “do it in a cell” the greatest drama of all time The blood dries so as the light dies Where’s my knife with a hint of pride? Herr General Herr Chairman I am your guts I am your aorta The pure mercurial rain It smells like a bone I break and wick Do not think I overestimate your small mistake Burn, burn— I pour and lit. Screaming, moaning, there is something there——— Under the flesh I speak the magic word and I vanish like a turd https://alexyiu.com/E-ar-Storm-Mini-Concert-with-Artist-Sharing-2020 Thu, 22 Jul 2021 20:57:14 +0000 ALEXMALISM https://alexyiu.com/E-ar-Storm-Mini-Concert-with-Artist-Sharing-2020 演出（由左至右） 實驗音樂藝術家：姚少龍（又名Alexmalism） 聲音藝術家：李穎姍 跨界藝術家：許敖山（又名Nerve） 實驗音樂家：羅穎綸 藝術家／研究員：馮俊彥 主持 節目策劃：龔志成 Featuring (from left to right) Experimental Music Artist: Alex Yiu (aka Alexmalism) Sound Artist: Fiona Lee Multidisciplinary Artist: Steve Hui (aka Nerve) Experimental Musician: Vanissa Law Artist-Researcher: Jasper Fung https://alexyiu.com/Play-Boredom-Worship-2019 Sat, 04 Jan 2020 09:11:22 +0000 ALEXMALISM https://alexyiu.com/Play-Boredom-Worship-2019 <img width="3508" height="4961" width_o="3508" height_o="4961" data-src="https://freight.cargo.site/t/original/i/86b7a63c0c48a24c8a146eb464b76b9b796256f247cbf1b14e4856394100f60a/Pbw-01.png" data-mid="57682751" border="0" src="https://freight.cargo.site/w/1000/i/86b7a63c0c48a24c8a146eb464b76b9b796256f247cbf1b14e4856394100f60a/Pbw-01.png" /> Play. Boredom. Worship. 玩樂。 無聊。 崇拜。 Opening reception 開幕：19/10 Exhibition period 展覽：20/10 - 24/11 Co-curated by Alex Yiu &amp; Suze Chan 由姚少龍和陳凌欣聯合策展 關於展覽 About the exhibition 德籍韓裔哲學家韓炳哲藉著一個事例，延伸了來自意大利哲學家阿甘本所提出的「瀆神」（profanation）概念：在希臘受緊縮政策影響後，一些小孩在一間荒廢的大屋裡發現了一團鈔票，但他們不但沒有把現金據為己有，還把那些鈔票作為耍樂的玩具，將之撕碎，去除鈔票本來的意義。「瀆神」本義解作將神聖（屬於神）的物質，轉化為世俗的用途，同時亦解亂用和惡意使用；韓炳哲用以上事例說明了當世界化成頹垣敗瓦的將來，金錢將失去意義，成為我們用以撕掉的娛樂，就如小孩們的「瀆神」行為。 藝術上，「瀆神」可以比擬為藝術家創作的手段，諸如挪用和概念轉換，均給予已有事物新的意義。是次展覽由姚少龍和陳凌欣聯合策展，展覽《Play. Boredom. Worship.》將展示香港六位新晉藝術家的作品。藝術家們通過和策展人之間的討論和辯證，他們的作品將以不同的態度和角度去演繹展覽的主題。 South Korean-born German philosopher Byung-Chul Han once quoted an example to explain the Italian philosopher Giorgio Agamben’s concept of ‘profanation’: During the recession period in Greece, a group of children discovered a large amount of banknotes in a ruined house. Instead of using them in the way money is supposed to be used, they played with them, tearing them to shreds. Profanation is the act of taking sacred things from gods and using them by mortals. In this example, Han portrays a post-apocalyptic world where money has lost its meaning, and we are shredding paper for fun. Perhaps in art, ‘profanation’ could be described in the way artists create through appropriation and conceptualisation. Both ways are giving new meaning to pre-existing objects and subjects. Curated by Alex Yiu and Suze Chan, ‘Play. Boredom. Worship.’ will present new artworks from six emerging artists from Hong Kong. Through dialogue and discussion with the curators, the artists interpret the idea with different perspectives and angles with their artworks. 六名創作者均來自於不同的背景，包括建築（陳滿）、平面設計（陳凌欣）、電影（陳嘉浚、黃紫嫣）、當代藝術（譚煥坤）和新媒體藝術（朱文雅），而在是次展覽《玩樂。無聊。崇拜。》裡，他們以「藝術家」的身份把弄著媒介中各種概念的交錯和流動。陳滿的裝置融合多種現成品，以建構世界（worlding）的方式「創造」一個類宗教的信仰，指涉現實世界人類宗教信仰的荒誕。陳凌欣的錄像裝置紀錄了自己在一所酒店內二十多天的生活，監控己身的行為和與人的互動，自我審視之餘亦包含對房間外各種發生的回應。陳嘉浚的攝影作品以商業攝影的手法，把立體的人和物平面化，呈現出後網絡時代的超真實（hyperreal），動搖影像的真實。黃紫嫣的繪畫不單止遊走於虛幻和寫實，其近乎於自動書寫（automatic writing）的創作模式反映了畫者內在的精神世界。譚煥坤的裝置結合了物料和文字，展示媒介之間的對比和對話，並藉此指涉藝術家的情緒。朱文雅的平面裝置充滿幽默感，以輕鬆的姿態對抗嚴肅世界的喧鬧。 在日常不再平常、而平常似是從不存在的日子裡，六位藝術家各自以不同的手法，實視「瀆神」的各種面向。 Coming from different backgrounds, architecture (Chan Moon), graphic design (Suze Chan), cinematography (Harry Chan and Wong Tsz Hin), visual art (Vunkwan Tam), and new media art (Mia Chu), for ‘Play. Boredom. Worship.’, each artist manipulates the interferences and flows in between concepts and materials as ‘artists’, departing from their own practices.&nbsp;Chan Moon’s installation ‘creates’ a pseudo-religion by combining multiple found objects and medium, commenting on the grotesque quality of institutionalised religion and dogmatic belief systems.&nbsp;Suze Chan’s video installation is a documentation of her twenty-day stay in a hotel. Surveilling her intimate habits and interactions with people, the video is not only self-examination but also captures her subtle responses to the events and encounters both inside and outside the room.&nbsp;By applying techniques of commercial photography, Harry Chan presents a flattened version of real objects and delivers the ‘hyperreal’ quality of the post-internet era, making ambiguous what reality we are representing.&nbsp;Wandering between illusion and reality, the paintings of Wong Tsz Yin demonstrate an ‘automatic’ mode of creating, reflecting her inner spiritual world.&nbsp;With different combination of materials and words, Vunkwan Tam highlights the dialogue and contrast that exists between the media. In their juxtaposition and contrasts, the artist’s emotion are unveiled metaphorically.&nbsp;Humour is the central topic in Mia Chu’s installation, resisting the noise of this serious world through light-hearted gestures. When days are unsettling and mundaneness disappears, the six artists incorporate different methods and practices to realise the multi-dimension of ‘profanation’. Participating artists 參展藝術家： Chan Moon 陳滿https://chan-moon.org/ Vunkwan Tam 譚煥坤http://www.vunkwan.com/ Harry Chan 陳嘉浚https://halstudio.info/ Suze Chan 陳凌欣 www.suzechan.comMia Chu 朱文雅 https://aim121mia.wixsite.com/herhomeWong Tsz Yin 黃紫嫣 https://www.instagram.com/du_bist_eine_kleine_maus/ 開幕演出 Opening performance: 龢wo4、阿杰 ahkit、Teeda @ Play. Boredom. Worship | 玩樂。無聊。崇拜。 <img width="5295" height="3530" width_o="5295" height_o="3530" data-src="https://freight.cargo.site/t/original/i/dde52bf0c59194b1d32c7bea8343fc5b70384eb1fc74ff35e09866b238716eb8/_MG_5811.jpeg" data-mid="57683215" border="0" src="https://freight.cargo.site/w/1000/i/dde52bf0c59194b1d32c7bea8343fc5b70384eb1fc74ff35e09866b238716eb8/_MG_5811.jpeg" /><img width="5630" height="3753" width_o="5630" height_o="3753" data-src="https://freight.cargo.site/t/original/i/ae0349c6d8a621de2db50eec218b7e0e61ea98a285858c589369fd3456796320/_MG_5817.jpeg" data-mid="57683216" border="0" src="https://freight.cargo.site/w/1000/i/ae0349c6d8a621de2db50eec218b7e0e61ea98a285858c589369fd3456796320/_MG_5817.jpeg" /><img width="5525" height="3683" width_o="5525" height_o="3683" data-src="https://freight.cargo.site/t/original/i/ca3eba185e7fa30d3422beef4b725647552126a7cbdc317951f6ab8b8648be4e/_MG_5825.jpeg" data-mid="57683219" border="0" src="https://freight.cargo.site/w/1000/i/ca3eba185e7fa30d3422beef4b725647552126a7cbdc317951f6ab8b8648be4e/_MG_5825.jpeg" /><img width="5404" height="3671" width_o="5404" height_o="3671" data-src="https://freight.cargo.site/t/original/i/77f44dccc79e2c2b356a705dcd4bc9ac844e2d5792a2a0194b29bd7476f5753f/_MG_5844.jpeg" data-mid="57683224" border="0" src="https://freight.cargo.site/w/1000/i/77f44dccc79e2c2b356a705dcd4bc9ac844e2d5792a2a0194b29bd7476f5753f/_MG_5844.jpeg" /><img width="5107" height="3405" width_o="5107" height_o="3405" data-src="https://freight.cargo.site/t/original/i/190c659de7aeffc141b361ed7fd2e8a08b0c97271ebacf0716ffe73e69200fd5/_MG_5913.jpeg" data-mid="57683235" border="0" src="https://freight.cargo.site/w/1000/i/190c659de7aeffc141b361ed7fd2e8a08b0c97271ebacf0716ffe73e69200fd5/_MG_5913.jpeg" /><img width="5593" height="3729" width_o="5593" height_o="3729" data-src="https://freight.cargo.site/t/original/i/9f16776bd328d3540f03aca6b05b7eacb26a8c90ac1ce4663ad258b8ce18e440/_MG_5880.jpeg" data-mid="57683228" border="0" src="https://freight.cargo.site/w/1000/i/9f16776bd328d3540f03aca6b05b7eacb26a8c90ac1ce4663ad258b8ce18e440/_MG_5880.jpeg" /><img width="5689" height="3793" width_o="5689" height_o="3793" data-src="https://freight.cargo.site/t/original/i/412f5fdd65a9b7a5606a4b7a832a659716c394b5b4180c19bf2b0f40c25668c8/_MG_5893.jpeg" data-mid="57683231" border="0" src="https://freight.cargo.site/w/1000/i/412f5fdd65a9b7a5606a4b7a832a659716c394b5b4180c19bf2b0f40c25668c8/_MG_5893.jpeg" /><img width="3650" height="5475" width_o="3650" height_o="5475" data-src="https://freight.cargo.site/t/original/i/9061b0b205eb0e107fe4ac17fd088599b20797476a7279014413b0ed69704817/_MG_5959.jpeg" data-mid="57683246" border="0" src="https://freight.cargo.site/w/1000/i/9061b0b205eb0e107fe4ac17fd088599b20797476a7279014413b0ed69704817/_MG_5959.jpeg" /><img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/5f5bef2cf3385927fdaace380e581b383a71fbcb00422c8eda23b64f766fe1e6/_MG_5968.jpeg" data-mid="57683248" border="0" src="https://freight.cargo.site/w/1000/i/5f5bef2cf3385927fdaace380e581b383a71fbcb00422c8eda23b64f766fe1e6/_MG_5968.jpeg" /><img width="5597" height="3731" width_o="5597" height_o="3731" data-src="https://freight.cargo.site/t/original/i/6a34f8d235e311c3d6abbe4e36233438f6f96f9bc46afbe50276e82b1f841f71/_MG_5964.jpeg" data-mid="57683247" border="0" src="https://freight.cargo.site/w/1000/i/6a34f8d235e311c3d6abbe4e36233438f6f96f9bc46afbe50276e82b1f841f71/_MG_5964.jpeg" /> https://alexyiu.com/Chinese-Hill-Billies-2018 Tue, 06 Mar 2018 18:41:52 +0000 ALEXMALISM https://alexyiu.com/Chinese-Hill-Billies-2018 GOLD SAUCER STUDIO February 10, 2018 @ 8pm Alex Yiu (HK): The Chinese Hill Billies Based on his previous artwork “Song to Daphnis”, Alex Yiu furthers his research on the relationship in-between sound and identity in Vancouver, where he investigates the soundscape in the area of Chinatown and Richmond. The previous artwork “Song to Daphnis” is a personal manifestation of Alex Yiu’s journey as a sojourner in the city of London, dealing with personal relationship and Asian identities. Now, Alex Yiu is going to summarize his research here with an audiovisual lecture-performance. This is going to be an audience participatory performance that the audience will be required to join and do some singing exercises. This project is fully funded by Hong Kong Development Arts Council Para Site August 8 | 7:00pm Chinese Hill Billies Lecture performance by Alex Yiu This session will be conducted in English. The lecture performance investigates the relationship between sound and identity in Richmond, Vancouver’s Chinatown. It departs from the uncertain origins of the song Red River Valley, known under different titles and sung in different languages throughout the decades. In his performance, Yiu focuses on a particular event, when the song was performed in the largest Chinese restaurant in the city in 1939, by a band formed by Chinese immigrants, the first of its kind.&nbsp;姚少龍（香港）：Chinese Hill Billies 承接其前作《Song to Daphnis》，姚少龍進一步深化他關於聲音與身份認同之間關係的研究，這次將焦點移師至溫哥華，深入探討當地唐人街及列治文一帶的音景。前作《Song to Daphnis》是姚少龍作為倫敦寄居者的個人表述，處理的是私人關係與亞洲人身份認同的議題；而今次，他將透過一場視聽演講表演（audiovisual lecture-performance），總結並呈現他在溫哥華的研究成果。 這將是一場需要觀眾參與的行為表演，觀眾將被邀請加入並進行一些歌唱練習。 本計劃由香港藝術發展局全資資助。 Para Site8月8日 | 晚上7:00Chinese Hill Billies姚少龍演講表演 本場次將以英語進行。 這場演講表演旨在探討溫哥華列治文及唐人街中，聲音與身分認同的關係。作品以《紅河谷》（Red River Valley）這首起源成謎的歌曲為出發點——數十年來，此曲曾以不同曲名流傳，並被翻譯成多種語言傳唱。在演出中，姚少龍將聚焦於 1939 年發生的一個特定事件：當年，這首歌在城中最大的中餐館內演出，而演奏者正是首支由華人移民組成的樂隊。 Lecture performance by Alex Yiu from Parasite on Vimeo. <img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/6fc00bc845a8c9e1b67c36709a32b5691f2470d5bf5342e3819bb8dbd9662bcf/Chinese-Hill-Billies.002.jpeg" data-mid="50221905" border="0" src="https://freight.cargo.site/w/1000/i/6fc00bc845a8c9e1b67c36709a32b5691f2470d5bf5342e3819bb8dbd9662bcf/Chinese-Hill-Billies.002.jpeg" /> <img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/d7e43e6d76804d99df68850df8808f41145a18ad670c0b11c9960aea7dd66516/Chinese-Hill-Billies.003.jpeg" data-mid="50221906" border="0" src="https://freight.cargo.site/w/1000/i/d7e43e6d76804d99df68850df8808f41145a18ad670c0b11c9960aea7dd66516/Chinese-Hill-Billies.003.jpeg" /> <img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/340ffe449c9ccbf6df68d9f308b99e476337a1280cbd5ca12898d227491fc50d/Chinese-Hill-Billies.004.jpeg" data-mid="50221907" border="0" src="https://freight.cargo.site/w/1000/i/340ffe449c9ccbf6df68d9f308b99e476337a1280cbd5ca12898d227491fc50d/Chinese-Hill-Billies.004.jpeg" /> <img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/1ef25e1ea545aad66e58ec8a588165defaeda834ddef137ffb5110929aaeccbe/Chinese-Hill-Billies.005.jpeg" data-mid="50221908" border="0" src="https://freight.cargo.site/w/1000/i/1ef25e1ea545aad66e58ec8a588165defaeda834ddef137ffb5110929aaeccbe/Chinese-Hill-Billies.005.jpeg" /> <img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/6bb5125c79beb90dacefa850ce9162759a3fd71746560189f88fe56b2e98d7b7/Chinese-Hill-Billies.006.jpeg" data-mid="50221909" border="0" src="https://freight.cargo.site/w/1000/i/6bb5125c79beb90dacefa850ce9162759a3fd71746560189f88fe56b2e98d7b7/Chinese-Hill-Billies.006.jpeg" /> <img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/5db241ea2957fb75897f8e949b2fe2fd75ed2981e7553278564c4f3b97878043/Chinese-Hill-Billies.007.jpeg" data-mid="50221910" border="0" src="https://freight.cargo.site/w/1000/i/5db241ea2957fb75897f8e949b2fe2fd75ed2981e7553278564c4f3b97878043/Chinese-Hill-Billies.007.jpeg" /> <img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/361f69c39ddb7408e4f55fc1944922fc8f4be4c650f2ebb490f66ff612e9a16b/Chinese-Hill-Billies.008.jpeg" data-mid="50221911" border="0" src="https://freight.cargo.site/w/1000/i/361f69c39ddb7408e4f55fc1944922fc8f4be4c650f2ebb490f66ff612e9a16b/Chinese-Hill-Billies.008.jpeg" /> <img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/117a574fe459acb9ebe1e7424687697bb7a926147d406c9e9aa2d55851db27d9/Chinese-Hill-Billies.009.jpeg" data-mid="50221912" border="0" src="https://freight.cargo.site/w/1000/i/117a574fe459acb9ebe1e7424687697bb7a926147d406c9e9aa2d55851db27d9/Chinese-Hill-Billies.009.jpeg" /> <img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/d143630129f7971b0bc9e07cce288d6b1e9b2eb51b80f3339be3afa846481572/Chinese-Hill-Billies.010.jpeg" data-mid="50221913" border="0" src="https://freight.cargo.site/w/1000/i/d143630129f7971b0bc9e07cce288d6b1e9b2eb51b80f3339be3afa846481572/Chinese-Hill-Billies.010.jpeg" /> <img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/6806fcd460cf7616e0334bf1885a0b449729ab1433a6a5c599af170ddaf2dc78/Chinese-Hill-Billies.011.jpeg" data-mid="50221914" border="0" src="https://freight.cargo.site/w/1000/i/6806fcd460cf7616e0334bf1885a0b449729ab1433a6a5c599af170ddaf2dc78/Chinese-Hill-Billies.011.jpeg" /> <img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/dc8ddf3d7e389358632d4f3664fc5392557b6d4fd0a37a4373e9fa7634545ead/Chinese-Hill-Billies.012.jpeg" data-mid="50221915" border="0" src="https://freight.cargo.site/w/1000/i/dc8ddf3d7e389358632d4f3664fc5392557b6d4fd0a37a4373e9fa7634545ead/Chinese-Hill-Billies.012.jpeg" /> <img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/9dc6e52b12e540835738026ff7dec7fb6a967103e190263fb8afa0829eeb7c16/Chinese-Hill-Billies.013.jpeg" data-mid="50221916" border="0" src="https://freight.cargo.site/w/1000/i/9dc6e52b12e540835738026ff7dec7fb6a967103e190263fb8afa0829eeb7c16/Chinese-Hill-Billies.013.jpeg" /> <img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/f0f416a907df4ddc5f4e30b06cedf079554a0b316fbe6b8b3e25da5c96c5fa21/Chinese-Hill-Billies.014.jpeg" data-mid="50221917" border="0" src="https://freight.cargo.site/w/1000/i/f0f416a907df4ddc5f4e30b06cedf079554a0b316fbe6b8b3e25da5c96c5fa21/Chinese-Hill-Billies.014.jpeg" /> <img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/4e0f553081ccba4f06338c7839354393a2c15bc2d70856ede67968f649b103d9/Chinese-Hill-Billies.015.jpeg" data-mid="50221918" border="0" src="https://freight.cargo.site/w/1000/i/4e0f553081ccba4f06338c7839354393a2c15bc2d70856ede67968f649b103d9/Chinese-Hill-Billies.015.jpeg" /> <img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/8f2738a56ac8cd91996b54a2c9583e5ef1cfdc2081068d502e19aa2626c040b6/Chinese-Hill-Billies.016.jpeg" data-mid="50221919" border="0" src="https://freight.cargo.site/w/1000/i/8f2738a56ac8cd91996b54a2c9583e5ef1cfdc2081068d502e19aa2626c040b6/Chinese-Hill-Billies.016.jpeg" /> <img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/344deb7f67e98ae4ae0690c892f772c33b614d6f60a2dfdba364161ca7f5495e/Chinese-Hill-Billies.017.jpeg" data-mid="50221920" border="0" src="https://freight.cargo.site/w/1000/i/344deb7f67e98ae4ae0690c892f772c33b614d6f60a2dfdba364161ca7f5495e/Chinese-Hill-Billies.017.jpeg" /> <img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/99ed73fe3ae10c75bd493fa66c8f22649d40be6d1c80fa85cf16627a8fd5a37d/Chinese-Hill-Billies.018.jpeg" data-mid="50221921" border="0" src="https://freight.cargo.site/w/1000/i/99ed73fe3ae10c75bd493fa66c8f22649d40be6d1c80fa85cf16627a8fd5a37d/Chinese-Hill-Billies.018.jpeg" /> https://alexyiu.com/You-Millions-I-Embrace-You-2017 Thu, 03 Aug 2017 18:13:32 +0000 ALEXMALISM https://alexyiu.com/You-Millions-I-Embrace-You-2017 You Millions, I Embrace You! (2017) from Alex Yiu on Vimeo. 《擁抱吧，萬民！》姚少龍的參與演出 ‘You millions, I embrace you!’ A participatory performance by Alex Yiu 策展人：陳子澂 Curator : Andre Chan About the performance As Slavoj Zizek once described ‘Ode to Joy’ as an ‘Empty container’, this music itself is being used by people in almost any forms of celebration. Written in the summer of 1785 by German poet Friedrich Schiller, the poem ‘Ode to Joy’ celebrates the heavenly joyfulness of mankind and expresses the idea of unifying people in mysticism. While Schiller remains one of the most important poets of Germany, it is Ludwig van Beethoven’s setting on this poem with his Symphony No. 9 marks the historical monument of Western classical music. The verse ‘You millions, I embrace you!’ from ‘Ode to Joy’, which is also the title of this work, is a participatory performance by the Hong Kong sound artist Alex Yiu. In this performance, audience is invited to participate a rehearsal, which is lead by the artist himself, to learn how to sing a section of Beethoven’s ‘Ode to Joy’ in its original German texts. As music provides an aesthetic experience through a process of reinforcing and incorporating our body’s movement and memory, the artist attempts to re-enact the aesthetic experience of singing in practice, and he also questions about the purpose of music in our contemporary society. 表演簡介 哲學家齊澤克曾形容《快樂頌》為「真空的容器」，因為這樂曲曾經被無數人引用並成為各種慶典的音樂。於一七八五年，德國詩人席勒寫下了《快樂頌》，歌頌人類崇高的快樂以及團結世人的理念，當中不乏神秘主義的色彩。雖然席勒被喻為德國最重要的詩人之一，但真正令到《快樂頌》家傳戶曉的，是作曲家貝多芬用了席勒的《快樂頌》的詩文，譜寫了人類歷史裡最重要的音樂——D 小調第九交響曲《合唱》。 由香港聲音藝術家姚少龍所創作，《擁抱吧，萬民！》為今次作品的題目，也是《快樂頌》裡的一詩句，這作品是一件參與演出的表演。藝術家本人將會帶令著觀眾，進行一次正式的合唱團排練，並學習如何頌唱貝多芬《快樂頌》原版的選段。音樂通過強化和協調身體和記憶，給予演奏者和聽眾美學經驗，藝術家企圖通過歌唱行為，去重演其美學經驗，以及質問到底音樂在當代社會的政經意義。 <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/9610b770cbad30fd5e29b8c6a081f103c2898278777da59a85f93d45cc902b10/C0003.00_22_46_18.Still002.jpg" data-mid="50221922" border="0" src="https://freight.cargo.site/w/1000/i/9610b770cbad30fd5e29b8c6a081f103c2898278777da59a85f93d45cc902b10/C0003.00_22_46_18.Still002.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/d101bdf3ade1ef58dc09eac44521573f4c2d8597c2038dc7df7ad231d330087f/C0003.00_29_15_23.Still004.jpg" data-mid="50221923" border="0" src="https://freight.cargo.site/w/1000/i/d101bdf3ade1ef58dc09eac44521573f4c2d8597c2038dc7df7ad231d330087f/C0003.00_29_15_23.Still004.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/edf5621b729f57d4dfdc8e7ac1432f6f35d1523dcd263047d0fad6e240f59218/Excerpt_1.00_00_44_11.Still003.jpg" data-mid="50221924" border="0" src="https://freight.cargo.site/w/1000/i/edf5621b729f57d4dfdc8e7ac1432f6f35d1523dcd263047d0fad6e240f59218/Excerpt_1.00_00_44_11.Still003.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/72808fb435ccb865a5e8d1059ab7c36298dfa8aecbf4a3da97ec96dcdc00655e/Excerpt_1.00_01_10_09.Still005.jpg" data-mid="50221925" border="0" src="https://freight.cargo.site/w/1000/i/72808fb435ccb865a5e8d1059ab7c36298dfa8aecbf4a3da97ec96dcdc00655e/Excerpt_1.00_01_10_09.Still005.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/44eab6452cbd920c8a8b1303e8e9a48d5515d61f79b7e305361559b9546124f3/Excerpt_1.00_01_30_10.Still002.jpg" data-mid="50221926" border="0" src="https://freight.cargo.site/w/1000/i/44eab6452cbd920c8a8b1303e8e9a48d5515d61f79b7e305361559b9546124f3/Excerpt_1.00_01_30_10.Still002.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/c54d62d6eb39caa88591640ee3e4190b22cdaad9c888958c41f64510cd1f3788/Excerpt_1.00_03_41_23.Still007.jpg" data-mid="50221928" border="0" src="https://freight.cargo.site/w/1000/i/c54d62d6eb39caa88591640ee3e4190b22cdaad9c888958c41f64510cd1f3788/Excerpt_1.00_03_41_23.Still007.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/e5a1fc44d45b5e0dc13e29c51199c4524cbfea46ed2f6801db7a4befaa2459f5/Excerpt_1.00_05_24_23.Still009.jpg" data-mid="50221929" border="0" src="https://freight.cargo.site/w/1000/i/e5a1fc44d45b5e0dc13e29c51199c4524cbfea46ed2f6801db7a4befaa2459f5/Excerpt_1.00_05_24_23.Still009.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/e58a55eae7bd738746e0b3649aecad6973ff17fb7e83333b7d84a9f12f5df490/Excerpt_1.00_06_34_11.Still011.jpg" data-mid="50221930" border="0" src="https://freight.cargo.site/w/1000/i/e58a55eae7bd738746e0b3649aecad6973ff17fb7e83333b7d84a9f12f5df490/Excerpt_1.00_06_34_11.Still011.jpg" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/9c5a24d515b79326e014deafa912fa82426e01de6e92df2281b2c6eb25712fe7/Excerpt_1.00_07_49_21.Still013.jpg" data-mid="50221931" border="0" src="https://freight.cargo.site/w/1000/i/9c5a24d515b79326e014deafa912fa82426e01de6e92df2281b2c6eb25712fe7/Excerpt_1.00_07_49_21.Still013.jpg" /> https://alexyiu.com/Double-2017 Tue, 06 Mar 2018 18:04:34 +0000 ALEXMALISM https://alexyiu.com/Double-2017 Doublé (2017) from Alex Yiu on Vimeo. Doublé for flute, clarinet in Bb, viola, violoncello, piano and video with stereo sound 8’ 2017 Programme Note In what situations that can an artist truly represent both history and politics? When our social media has become the clash of political messages and ideology, how are we able to speak about politics through arts again? Ranging from Francisco Goya’s depiction of Napoleon’s occupation of 1808 in Spain, to punk rock’s anti-establishment ideologies in the 70s, visual art and music are always served as a manifestation of the artist’s own personal belief. ‘Doublé’ is a piece that comprises an ensemble and a video which based on a footage in relation to Icelandic pianist Tinna Thorsteinsdóttir and a rehearsal footage that was done in Hong Kong. While the video also depicts a series of political events happened in Hong Kong, this is an experiment to seek an unlikely connection from unrelatedness. Doublé received its premiere at Cycle Music and Art Festival 2017, Kópavogur, Iceland. <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/923738cfb0e04d4e4c82e5d58b197ccf689fd5ea536ea4d90d3da6f097c4ed91/20170823-Doubl_Final_2.00_01_23_06.Still001.jpg" data-mid="50221978" border="0" src="https://freight.cargo.site/w/1000/i/923738cfb0e04d4e4c82e5d58b197ccf689fd5ea536ea4d90d3da6f097c4ed91/20170823-Doubl_Final_2.00_01_23_06.Still001.jpg" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/133dd653ffca7a7c111fdca9dcb92d11551ff6ef491b6ebc1a57225b9067833c/20170823-Doubl_Final_2.00_01_45_11.Still002.jpg" data-mid="50221979" border="0" src="https://freight.cargo.site/w/1000/i/133dd653ffca7a7c111fdca9dcb92d11551ff6ef491b6ebc1a57225b9067833c/20170823-Doubl_Final_2.00_01_45_11.Still002.jpg" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/ba9eb1017ed5aaeca8cb965a0fa3faf4888cdccd890f8971e779b41fe5a67a4e/20170823-Doubl_Final_2.00_02_29_21.Still003.jpg" data-mid="50221980" border="0" src="https://freight.cargo.site/w/1000/i/ba9eb1017ed5aaeca8cb965a0fa3faf4888cdccd890f8971e779b41fe5a67a4e/20170823-Doubl_Final_2.00_02_29_21.Still003.jpg" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/2c65ae160de8b8514a97e6a551ad55f5705c65841668c18449f0e0d18e6b6c59/20170823-Doubl_Final_2.00_05_41_08.Still004.jpg" data-mid="50221982" border="0" src="https://freight.cargo.site/w/1000/i/2c65ae160de8b8514a97e6a551ad55f5705c65841668c18449f0e0d18e6b6c59/20170823-Doubl_Final_2.00_05_41_08.Still004.jpg" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/f5fefe319491be1560146e49fa8fe04250b3dc72a868b24a9f5e4bd00f43375e/20170823-Doubl_Final_2.00_06_28_12.Still005.jpg" data-mid="50221983" border="0" src="https://freight.cargo.site/w/1000/i/f5fefe319491be1560146e49fa8fe04250b3dc72a868b24a9f5e4bd00f43375e/20170823-Doubl_Final_2.00_06_28_12.Still005.jpg" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/0f101a6578a4f571fba584e2f9843a560c1bad178a049e43c7e9cf3a45690bcf/20170823-Doubl_Final_2.00_07_18_10.Still006.jpg" data-mid="50221984" border="0" src="https://freight.cargo.site/w/1000/i/0f101a6578a4f571fba584e2f9843a560c1bad178a049e43c7e9cf3a45690bcf/20170823-Doubl_Final_2.00_07_18_10.Still006.jpg" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/50df876b38b1413cd00ea0de026db9d9c9c5b3de13e0e0f7baecb4a18aad9563/20170823-Doubl_Final_2.00_07_32_07.Still007.jpg" data-mid="50221985" border="0" src="https://freight.cargo.site/w/1000/i/50df876b38b1413cd00ea0de026db9d9c9c5b3de13e0e0f7baecb4a18aad9563/20170823-Doubl_Final_2.00_07_32_07.Still007.jpg" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/7ca6dfb9c55117cfbe6926fe32bb7bddee6ce941e8c27f2980dbf2952de6d704/20170823-Doubl_Final_2.00_07_48_24.Still008.jpg" data-mid="50221986" border="0" src="https://freight.cargo.site/w/1000/i/7ca6dfb9c55117cfbe6926fe32bb7bddee6ce941e8c27f2980dbf2952de6d704/20170823-Doubl_Final_2.00_07_48_24.Still008.jpg" /> <img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/f1630176c92d3e426a62b23fe22bb133d7267c0d34cb3ece08c6e86186557fdf/20170823-Doubl_Final_2.00_08_08_09.Still009.jpg" data-mid="50221987" border="0" src="https://freight.cargo.site/w/1000/i/f1630176c92d3e426a62b23fe22bb133d7267c0d34cb3ece08c6e86186557fdf/20170823-Doubl_Final_2.00_08_08_09.Still009.jpg" /> <img width="706" height="900" width_o="706" height_o="900" data-src="https://freight.cargo.site/t/original/i/bf910c3adea3bc453778891f90d12da23a3880a699f0980c586df923159c9ed4/Screen-Shot-2017-08-17-at-18.43.07.png" data-mid="50221988" border="0" src="https://freight.cargo.site/w/706/i/bf910c3adea3bc453778891f90d12da23a3880a699f0980c586df923159c9ed4/Screen-Shot-2017-08-17-at-18.43.07.png" />